"In April, 1933, Tanzler removed Hoyos' body from the mausoleum, carted it through the cemetery after dark on a toy wagon, and transported it to his home. Tanzler attached the corpse's bones together with wire and coat hangers, and fitted the face with glass eyes. As the skin of the corpse decomposed, Tanzler replaced it with silk cloth soaked in wax and plaster of paris. As the hair fell out of the decomposing scalp, Tanzler fashioned a wig from Hoyos' hair that had been collected by her mother and given to Tanzler not long after her burial in 1931. Tanzler filled the corpse's abdominal and chest cavity with rags to keep the original form, dressed Hoyos' remains in stockings, jewelry, and gloves, and kept the body in his bed. Tanzler also used copious amounts of perfume, disinfectants, and preserving agents, to mask the odor and forestall the effects of the corpse's decomposition."
"In April, 1933, Tanzler removed Hoyos' body from the mausoleum, carted it through the cemetery after dark on a toy wagon, and transported it to his home. Tanzler attached the corpse's bones together with wire and coat hangers, and fitted the face with glass eyes. As the skin of the corpse decomposed, Tanzler replaced it with silk cloth soaked in wax and plaster of paris. As the hair fell out of the decomposing scalp, Tanzler fashioned a wig from Hoyos' hair that had been collected by her mother and given to Tanzler not long after her burial in 1931. Tanzler filled the corpse's abdominal and chest cavity with rags to keep the original form, dressed Hoyos' remains in stockings, jewelry, and gloves, and kept the body in his bed. Tanzler also used copious amounts of perfume, disinfectants, and preserving agents, to mask the odor and forestall the effects of the corpse's decomposition."
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